Call for Production Roles
Miracle on 34th Street by Caleb Marshall & Erin Keating
SHOW DATES & REHEARSALS
With show week being November 22 - 29 and show dates,
November 26 & 27 Evening shows
November 28 & 29 Matinee Shows
Rehearsals will be held Wednesdays 7-9pm and Sundays 1-5pm.
Please submit your Expression of Interest by May 6, 2026 for the following positions:
Producer
Collaborate with the director to bring the director's vision of the play to fruition.
Coordinates and is responsible for all aspects of production, both technical and artistic
Organize set up and tear down
Organizes, prioritizes and manages finances, personnel, and scheduling
Keeps up to date on all developments from inception to final wrap-up of the project
Creates a master production schedule and timeline
Sets up an accounting system for the production in consultation with the treasurer
Creates a budget for the project with a break-down for each department and presents to executive
Books and chairs all production meetings (usually every 2 weeks)
Creates the financial report showing the original budget and the project actual expenditures in consultation with treasurer
Submits wrap up report to the executive
Works within a budget
Stage Manager
Collaborate with the director to bring the director's vision of the play to fruition.
Prepare and maintain the prompt book (script + cues, blocking, notes)
Document blocking, choreography spacing, and director’s notes
Track attendance
May oversee a rehearsal in director’s absence.
Works closely with actors, makeup and hair during show week.
During Performance:
Calls the show by cueing actors
Manage backstage operations and traffic
Ensure performers are in place and on time
Handle unexpected issues calmly (missed cues, technical problems, injuries)
Enforce safety protocols and stop the show if required
Responsible for maintaining the director’s vision throughout the run
All production personnel and actors report to the stage manager
Set Designer
Collaborate with the director on establishing a set design to bring the director's vision of the play to fruition.
Creates a Maquette (a scale model) to communicate the final “look” of the set
Creates a set of accurate drawings for the builders
Creates drawings for props/furnishings coordinator
Attends first production meeting and presents design concept
Works with set construction team
Works within a budget
Set Decorator
Require one person to oversee set painting and set decoration. This person could be part of the main production team.
Collaborate with the director on establishing colour palettes and tone of decoration to bring the director's vision of the play to fruition.
Set timelines for completion of painting and set decoration
Source set design pieces from thrift shops, cast/production crew, etc..
Assist with setup and teardown
Help return borrowed items.
Set Construction
Interprets the set designer’s drawing into the reality of a set
Builds scenic elements
Manages and direct the building crew
Attends set-up and tear town
Makes touch ups and repairs to set during show week
Works within a budget
Props Manager
Collaborates with set decoration and stage manager
Builds, borrows, rents props or furnishings based on prop list provided by stage manager
Attend production meetings
Supplies rehearsal props and/or furnishings
Attends a table read and ongoing rehearsals to better understand prop needs.
Organizes props backstage and ensures stage manager knows how all props work
Attends load-in and set-up, dress rehearsals, etc.
Arranges to replenish or repair props and/or furnishings during the run
Costume Designer
Source costumes for 2 time periods for all actors
Need to source/design period accurate costumes for 1800s London
Take measurements of all cast members and collects a list of needed costumes.
Sews costumes if necessary (or works with someone who sews)
Attend production meetings
Supply rehearsal costumes
Attends costume parade, dress rehearsals, etc.
Coordinates dressers for costume changes
Arranges to repair and clean costumes during the run
Supervises returns of any borrowed costumes or accessories
Works within a budget
Sound Designer
Collaborates with director on establishing a sound to bring the dorector's vision of the play to fruition.
Works with Stage manager to create a sound plot (speaker location, etc.).
Creates the sound effects on computer
Attends rehearsals later in rehearsal schedule when sound cues are being used and created cue sheet
Coordinates rental of additional sound equipment
Attends load-in, sound system set-up, level set and dress rehearsals.
Is available to run the sound board during performances or train an operator to do so.
Lighting Designer
Collaborates with Director on establishing a lighting design to bring the dorector's vision of the play to fruition.
Creates a lighting plot, ground and elevation plan
Creates cue sheets
May attend production meetings
Coordinates rental of additional lighting equipment in conjunction with Producers
Attends load-in, lighting hang, lighting focus, level set, dress rehearsals, etc.
Is available to run the lighting board during performances or train an operator to do so.
Takes responsibility for lighting at tear down.
Works within a budget
Makeup and Hair
Collaborates with Director/Costumer Designer on establishing a make-up/hair design to bring the dorector's vision of the play to fruition.
Could create colour sketches or photos with ideas for make-up/hair that communicates the final “look” of characters
Buys make-up/hair products in conjunction with producer
Attend rehearsal to meet actors and understand character’s make-up and hair needs.
Attends tech, dress rehearsals, and performances (or coordinates make-up artists for
performances in conjunction with producers
Arranges to replenish make-up/hair supplies in conjunction with producers
Disinfects make-up after each show and before packing away (can use spray alcohol)
Works within a budget
House Manager
House manager is in charge of the audience and the house
Arrange for and provide a list/schedule of ushers and their duties
Purchase/arrange for food and beverages for audience concessions
Make and clean up concession stand for each performance
Publicity/Marketing
Works with a Publicity/Marketing team
Plans and implements a publicity strategy that incites interest and excitement in the public through posters, promotional flyers, advertisements, social media, press, etc.
Liaises with the media through press releases
Arranges interviews
Sets up photo shoots
Prepares press releases
Posts on social media including community calendars, Facebook, web site, etc.
Works with the producer regarding the presentation of publicity materials
Works within a budget
Works with photographer and stage manager to obtain photos
Please submit your Expression of Interest by May 6, 2026 by 5pm.
